Heck No Pooh's Adventures

“The Muppet Movie” (as well as “The Great Muppet Caper”) was always owned by The Jim Henson Company (ITC only distributed the film) until February 2004, when Disney bought the non-Sesame Street/Fraggle Rock Muppets characters and library (as well as the Bear in the Big Blue House franchise).

Here’s another of those “edited” videos. I don’t understand why people like these videos so much. What’s really sad about this one is this is the only version of the SpongeBob episode “BlackJack” that’s on YouTube. SpongeBob episodes that are sped up on YouTube are O.K. though because they aren’t edited with random swear words and other stuff. The only episodes of SpongeBob I can think of that work with swearing are “Sailor Mouth” (for obvious reasons) and “Krusty Love” (the part where SpongeBob yells gibberish at Mr. Krabs after he says that SpongeBob is loose with other peoples money).

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Continuing on with Jon Oosterhof’s Journey Though Disney series with his first installment. As of now he has not continued on since Feburary, but I want to see more out of this! In this series Jon won’t just talk about the canon Disney films, he’ll also talk about the Disney direct to video films and live action / animated films.

(O-o-c) Gather ‘round, kids! It’s defendant animation geek rage time. Snow White isn’t my favorite of the Disney animated films. But if you were to take this series away from Lionheart Fantasy and give it to me, I would have more honorable things to say and give it A LOT more credit than what Jonathan truly has for it.

Snow White was the light switch that started everything. Jonathan and the Lionheart gang’s favorite movies: The Lion King, Madagascar, El fucking Arca… none of them would exist if this became “Disney’s Folly” and not the juggernaut of its time. The film has stood the test of time for most people, from an artistic standpoint and even from a storytelling point of view for some people.

Here are the people who make crossovers and dedicate themselves to immortalizing almost every little thing about Disney animation, but here this video proves that they put the masterpieces on their pedestals without actually learning from them. (Anarcho-moomin gets full credit for this line I grabbed from her Miracle Studios post.)

Also, regarding the introduction. Of course nothing else screams the magic and legacy of Walt Disney Feature Animation to me like Saludos Amigos and Pecos Bill.

Alfred Hitchcock’s “Rope” (1948), released by Warner Bros., was sold to Associated Artists Productions in 1956 along with the pre-1950 Warner Bros. feature films, the pre-September 1948 live-action short subjects, the pre-August 1948 color Looney Tunes/Merrie Melodies, and the Harman-Ising Merrie Melodies (excluding “Lady, Play Your Mandolin!”) from Warner Bros., and also bought the Fleischer Studios/Famous Studios Popeye cartoons from Paramount in 1956 (the black and white cartoons) and 1957 (the color cartoons), and in 1958, United Artists bought a.a.p. and renewed the copyright to “Rope” in 1976. Hitchcock and his estate bought this film from United Artists along with four films released by Paramount (“Rear Window” {1954}, “The Trouble with Harry” {1955}, “The Man Who Knew Too Much” {1956} and “Vertigo” {1958}) and in 1983, MCA (owner of Universal Studios) bought the five films from Hitchcock’s estate and reissued them that same year (“Psycho” {1960} was sold to Universal in 1968). “Rope” is probably the only film in the a.a.p. library that MGM, and later, Turner, never owned.

I don’t get these videos at all and the characters in these videos are poorly drawn.